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Audio / Video Cables

Gruber Premium Audio / Video Cables — RCA, 1/4″, Mini, & Custom-Built Interconnects
Preamp ↔ Power Amp • Instrument & Mic Lines • Mini A/V Links • Engineered & Custom Assemblies

Our Gruber Premium Audio / Video cable family covers the full signal path from your preamp to your power amp, from stage to console, and from media player to monitor. Under this category you’ll find RCA plug-type interconnects for hi-fi and studio gear, 1/4″ microphone & instrument cables (TS and TRS), and compact 3.5 mm mini cables for portable and installed AV systems — all built with tour-grade wire and premium connectors.

Unlike commodity cables, Gruber assemblies are designed around impedance-matched cable types, proper shielding, and the right termination topology for balanced and unbalanced audio. Our in-house team understands the differences between line-level vs. instrument-level, 50–75 Ω video, balanced 110 Ω digital audio, and high-impedance guitar pickups, so your custom cable arrives optimized for noise rejection, tone preservation, and long life in the field.

What’s in this Category
  • RCA Interconnects — Stereo and multi-channel RCA cables for preamp → power amp, subwoofers, playback decks, and consumer/prosumer gear.
  • 1/4″ Mic / Line / Instrument Cables — TS and TRS assemblies for microphones, balanced/unbalanced line feeds, DI boxes, keyboards, and guitar/bass rigs.
  • Mini (3.5 mm) & Adaptation Cables — 3.5 mm TRS to RCA, 1/4″, and other formats for laptops, phones, and compact AV devices.
  • Custom-Built A/V Harnesses — Color-coded, labeled, and length-optimized snakes for rack backlines, FOH, patch bays, and installed systems.
Why Custom Cables from Gruber?
  • Impedance-correct designs — 50/75 Ω coax for video and S/PDIF, low-capacitance cable for guitars, and proper 110 Ω balanced pairs for AES/EBU and mic lines.
  • Noise-optimized shielding — We specify spiral, braid, foil, and dual-shield constructions based on your environment (studio, stage, broadcast, or industrial), keeping hum and RF out of your signal path.
  • Balanced vs. unbalanced done right — TRS/XLR balanced runs where they belong, RCA/TS unbalanced only where appropriate — no guesswork, no ground-loop nightmares.
  • Premium materials — OFC conductors, flexible jackets, strain-relief boots, and brand-name connectors (Neutrik, Switchcraft, Amphenol) for long-term reliability.
  • Purpose-built lengths & labeling — Cables made to fit your rack or stage plot, with heat-shrink IDs and color options that make setup and troubleshooting faster.

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Signal Types & Recommended Cable Styles

Application Typical Connectors Cable / Electrical Characteristics
Preamp ↔ Power Amp / Hi-Fi RCA ↔ RCA Low-capacitance, shielded unbalanced cable for line-level audio; optimized for stereo imaging and low noise.
Mic & Balanced Line XLR, 1/4″ TRS 110 Ω balanced pair with foil/braid or dual-spiral shield for excellent common-mode noise rejection.
Instrument / Guitar / Bass 1/4″ TS (mono) High-impedance, low-capacitance coax-style cable to preserve tone over long runs.
Mini A/V & Consumer Devices 3.5 mm TRS, 3.5 mm ↔ RCA Compact shielded cable tuned for stereo audio and control signals, with flexible jacket for portable use.

Whether you’re wiring a home listening room, building a fly-pack, or standardizing an entire facility, Gruber’s family of audio/video cables — backed by decades of experience in impedance, shielding, and termination methods — gives you made-to-purpose interconnects that sound better, last longer, and make every rack and stage plot easier to manage.

Gruber Communications